Hikite (引手) is Japanese for ‘the pulling hand’.
What is Hikite?
Hikite is a technique utilized in most Japanese forms of martial arts, i.e. Karate, Judo and Jujitsu. The name refers to the hand, which is pulled back, for instance, to the hip during a strike, while the other front-hand strikes, blocks or throws. Both hands travel in opposite directions during the execution of a technique. Therefore, it is not a waza in itself. It is, however, a constitutive and signature basic element of the Shotokan Karate Do style that can be found throughout the whole spectrum of techniques.
Two Schools of Hikite
Two main schools of thought regarding the hikite exist. One stresses the role of the “puling hand” for destabilizing an opponent through grabbing and pulling him. Another school supposes a vital role of the back-hand in generating power.
Hikite for Destabilizing Opponents
The “destabilizing” school claims that hikite is meant for destabilizing opponents by pulling, for instance, limbs, clothing or hair, to assist in a capture, throw or take down. Proponents of this position usually offer two arguments to legitimize their conviction:
- Gichin Funakoshi, the founder of Shotokan Karate Do, wrote in his book Rentan Goshin Karate Jutsu: “The meaning of the hikite is to grab the enemy’s arm and twist and pull as much as possible in order to break the enemy’s posture”. Therefore, their argument focuses on the purpose Gichin Funakoshi assigned it to the motion in this specific publication.
- Hikite poses a disadvantage during a real fight, if it is not used for the destabilizing of the opponent. This argument is, therefore, a definition ex negativo. The prerequisite for the arguments lies in the refusal of the idea of “power generation” through pulling the hand. If power generation is not possible and thus cannot be the purpose of hikite (negative) then the destabilization of opponents is the only valid application. Because a passive pulled back hand could serve a better purpose as a cover for the face, for instance.
This position is especially prominent among practical oriented karateka. They refuse classical conceptions of the power generation approach and stress instead the direct functional relevance of the motion for self-defense. Thus, they also refuse the pulling of the hand with the argument that it creates “bad habit”. Karate students should learn straight from the beginning a defense-oriented way of punching. To teach them a disadvantageous before first and then to teach them how to behave in real fight situations deem some commentators as inefficient.
Opponents of this position argue that the once assigned purpose or function of a technique can evolve. Over time more aspects become visible. To rely only on Gichin Funakoshis intention for the pulling hand blocks out other possible functions and applications.
They also criticize the misinterpretation of power generation by this group. In their opinion the pulling of the hand does not serve to generate additional power beyond the actual capacity of the karateka. Its major function lies in its power saving and speed generating aspect (see below).
Hikite for Power Generation
Another school, however, focuses on the technical aspect of hikite related to power generation. It argues that the body works around an imagined central pivot. When arms and hands work in unison together the pulling hand serves as counterbalance. From here proponents of this position have developed two physical concepts to describe how the pulling of the hand generates power:
- “Slingshot-effect“: This concepts assumes that the hikite-hand becomes loaded due to muscular and fascia tension when it is pulled back. Like a slingshot the hand can be released and the pre-loaded energy creates a forward momentum of the arm. This effects, therefore, focuses on the pretension of muscles through pulling the hand. The front hand, which pulls back, supports the forward motion of the pulling-hand by transmitting rotational energy over the center axes.
- “Whip-lash-effect”: In a slightly different direction argues the concept of the “whip-lash-effect”. Here hikite generates the effect of a stabilizing anchor for the forward moving hand. When both hands come to a hold the backhand serves to tension-up the upper body. So, the forward energy can be fully transmitted by the front fist. However, the punching arm stays relaxed and works like a “whip”, while the hikite hand works like the anchor of the whip. Similar concepts are known in other martial arts like Kung Fu and Wing Tsung.
This position has the highest prominence among orthodox “traditional” karateka. Proponents of this position often argue that utilizing one of the two above mentioned effects makes it possible to punch with less energy but creating the same power and even more speed. Because the pretension within the muscles can be set free fully relaxed. Thus, karateka can solely focus on quickness. The whip-lash-effect makes it possible to transmit power without spending much forward energy.
In the recent years, this concept has caused some critic. Practical karateka doubt that the pulling hand generates the supposed physical effects. Some see in a counter motion a hindering factor for the transmission of energy. A backwards motion blocks, in this understanding, the free flow of energy to the front. They also refer to examinations with other martial artist like boxers who do not apply hikite. Their punching power is allegedly equal or higher as the one of karateka. Thus, hikite can be spared and the backhand used for defense purposes.
Conclusion and Research Questions
Both concepts have proponents and opponents today. However, both position define the extreme polls of a spectrum. Especially when it come to kumite many karateka make flexible use of hikite. In kihon and kata most karateka deem the pulling of the hand as mandatory.
Further research should illuminate the physical effects of the pulling hand.
- Does it generate or safe energy?
- Is it an effective means for pre-loading of muscles?
- Which effects does it have on speed?
- Does it support kime?
Another research direction, which appears to be necessary to tackles, refers to the educational effects of kime. While some critics deem it as counterproductive to teach students hikite, others stress its relevance for the development of kime. Students only learn kime through the execution of “exaggerated” motions. Later, when they have a better control over their body and know to manage tension and relaxation the pulling of the hand becomes less important. This hypothesis has not been examined under scientific conditions but seems worth to study.
The conceptual expectation of the outcome of hikite has probably a effect on the actual execution of hikite itself. Thus, it might have several effects and purposes at the same time. The karakteka must decide how to perceive and deal with hikite.
Abernathy, Iain 2019: The TRUE role of Hiki-Te. In: Iain Abernathy. The Practical Application of Karate, Jan 3, 2019.
Enkamp, Jesse 2012: 3 Widespread Misconceptions of Modern Karate (That You Need to Know Today)! In: KaratebyJesse.com.
Funakoshi, Gichin 1996 (1925): Rentan Goshin Karate Jutsu, Tokyo.
McKinnon, Thomas 2019: Hikite: More than just the pulling hand. In: The Shotokan Times, July 2, 2019.